Rodger + Hammerstein’s Cinderella (Broadway Version) 2024 - Mainstage Production

Roles available for ages 6-19

Rodgers + Hammerstein's Cinderella is the new Broadway adaptation of the classic musical. This contemporary take on the classic tale features Rodgers & Hammerstein's most beloved songs, including “In My Own Little Corner,” “Impossible/It's Possible” and “Ten Minutes Ago,” alongside an up-to-date, hilarious and romantic libretto by Tony Award nominee Douglas Carter Beane.

In 2013, Cinderella finally made it to Broadway, where she had never been before. Featuring a brand-new book from librettist Douglas Carter Beane, the Broadway version added several new characters and expanded the world of the original. In addition to its contemporary feel, Rodgers + Hammerstein’s Cinderella (Broadway Version) includes two new songs, “Me, Who Am I?” and “He Was Tall,” along with “Loneliness of Evening” and “There’s Music in You” from earlier versions. At its core, Rodgers & Hammerstein’s Cinderella remains the heartfelt tale of the girl from the cinders who connects with her prince. Who is forthright and kind as she tries to change the prince into a better man.

PERFORMANCE DATES & LOCATION:

  • May 3rd-12th, 2024

  • Location: WaterTower Theatre Terry Martin Mainstage

  • PRINCIPALS

    ELLA – Though no one notices her beneath her rags and quiet demeanor, she is op inionated, charismatic, passionate, beautiful, and funny. Idealistic and hopeful, she courageously challenges the prince to change the policies in his kingdom – and helps him discover who he truly is. Always her late father’s daughter, she is determined to see the good in everyone despite her hardships and suffering. We see her blossom into a confident woman.

    TOPHER – A misguided and lost prince who longs to do something important with his life. Though brave and heroic, he feels lonely and unfulfilled. Charming but NOT a stereotypical ladies man, he is thoughtful, appealing, and innocent – with an unforced goofy streak. Moral, genuine, and kindhearted, he is at a crossroads and must take control of his kingdom and his future.

    MADAME – Ella’s selfish stepmother. The epitome of vanity and fashion. A ravenous social climber who values wealth, status, and material possessions above all else. Unapologetically dismissive and sometimes cruel, Madame schemes her way up the social ladder.

    SEBASTIAN – The kingdom’s Lord Chancellor. Though he is Topher’s trusted advisor, he is devious and selfish. Using propaganda and dishonesty, he keeps Topher isolated and in the dark about his kingdom. Sebastian rules without regard for the lower class, or anyone other than himself – and truly believes he deserves to rule the kingdom.

    MARIE – A friend to Ella and the town’s resident crazy lady and beggar woman, Marie is actually a fairy godmother in disguise. Wise, warm, otherworldly, and charming, Marie rewards Ella for her kindness by making her dreams a possibility.

    GABRIELLE – Ella’s stepsister and daughter of Madame. Encouraged by her mother and sister to value material wealth and social status, she unenthusiastically joins them in their abrasive behavior. Quietly passionate, empathetic, and witty, she is drawn to Ella and Jean-Michel. Ironically aware that she doesn’t fit in.

    CHARLOTTE – Ella’s stepsister and daughter of Madame. Brash, self-centered, materialistic, snooty, loud, sassy, and bratty, she has a ridiculously high, but unfounded, opinion of herself. She never passes up an opportunity to be the center of attention.

    JEAN-MICHEL – A feisty, passionate peasant determined to make a change for the starving class. Impetuous. A firebrand, but lacks authority and isn’t taken seriously as a revolutionary. Has a crush on Gabrielle, though their courtship is forbidden because they are from different social classes.

    LORD PINKLETON – The Lord Chancellor’s right-hand man. Announces royal balls, banquets, and even the weather to the villagers.

    ENSEMBLE

    Giant, Fox (Puppet), Raccoon (Puppet), Footman, Coachman, Knights, Peasants, Serfs, Townspeople, Ladies and Gentlemen of the Court, Servants, etc.

REHEARSAL DETAILS:

  • Rehearsal February 10th- May 2nd

  • Friday from 7:00-9:00pm

  • Saturday from 10AM-4PM (optional extension to 5PM as needed)

  • 10 of 12 Rehearsal, TBD

TECH WEEK DETAILS:

  • April 29th - May 2nd, 2024 from 5PM-10PM at WaterTower Theatre

AUDITION & CALLBACK INFORMATION

VIDEO AUDITION DETAILS:

  • Audition type: Video submission

    Video auditions due by: January 26th

  • Please show your best 16-32 bar cut of an uptempo and ballad.

  • Please make sure we can hear you over your accompaniment!

  • For your protection and privacy, we prefer that you upload your audition video to either YouTube or Vimeo and set to “unlisted” status. This ensures your video will not be included in any search results, and only those with the link can access your video.

  • You can then provide us with the direct link to your video for review using the form on this page.

  • You will need to log in to either YouTube (using a Google account) or Vimeo to upload your video. Both platforms are free to use.

CALLBACK DETAILS:

  • Callbacks will take place at each home Studio on the respective dates and times below:

  • Grapevine February 2nd 5pm-8pm

  • Frisco February 3rd 10am-1pm

  • Rockwall February 3rd 3pm-6pm

TUITION & FEES:

  • Tuition for this show is: $675

  • Required Audition Fee: $150 due upon enrollment

  • 1st Tuition Installment: $262.50 due 2/16

  • 2nd Tuition Installment: $262.50 due 3/22

FORM DEADLINES

  • Audition Form: 1/26

  • Vocal Video Audition Form: 1/26

  • Costume Measurements: 4/1

  • Bio / Headshot Form: 4/5

  • Comp Tickets Form: 4/5

  • Ad Submission Form: 4/5

AUDITION STEPS

AFTER CASTING

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